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Warren Smith with the many concise editorial comments he offered that enabled me to complete the writing of the dissertation. Walter Putnam pointed me in the direction of Surrealism and offered important observations on that area as well as on the content and structure of the dissertation. From the Department of Modern Languages, French Professor Dr. Enrique Lamadrid stood by me and suggested the sources for theory to background the work on the popular with its features of orality and spontaneity. Anthony Cárdenas –Rotunno who guided me through many rough spots with his inimitable sense of humor and boundless enthusiasm for the material. Then I want to acknowledge the unwavering support and input from Dr. Rivera’s marvelous class on the Generation of ’27 inspired me to enter this project. Her diligence in the maintenance of high standards insured its fine quality. Susana Rivera for her steadfast help toward the completion of this dissertation.
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I dedicate this work and personal success to all the poets, past and present, who sing the rights and value of all human beings with truth, love and beauty.įirstly, I would like to thank Dr. To the memory of my parents, Dudley and Louise Briggs, who nurtured in me the love of learning and the exploration for new knowledge. BRIGGS B.A., Romance Languages, Boston University, 1964 M.A., Spanish, The University of New Mexico, 2002ĭISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Spanish and Portuguese The University of New Mexico Albuquerque, New Mexico IRRATIONAL AND VISIONARY IMAGERY IN CANTE JONDO AND THE NEO-POPULAR POETRY OF FEDERICO GARCÍA LORCA AND RAFAEL ALBERTIĭAVID A.